I was 27 years old and poppin and lockin down the frozen desserts aisle of a central Florida grocery store when I first became self-aware. Up until that point I had been living in some type of sleep state. I can still remember my past like a dream, but it hardly seems like my own life.
I’ve retained all the knowledge and skills I acquired in my dream past, and my wife says I have changed very little from the person I was when I was not self-aware… that I was always a weirdo. But I know the difference.
The biggest change is that when I’m poppin, lockin, or whatever, it’s like I’m standing in between two parallel mirrors and the poppin, lockin, or whatever is outlined by a receding infinity that powerfully hints at the recursive iteration machine that keeps moving this self forward in endless destruction and rebirth.
In fact, maybe it wasn’t this me that was in that grocery store in the first place. Maybe it was someone else, until they popped and locked just right, at which point this self, the one who is now aware, was zapped into this body and took over its historical data. And might another self take over later, perhaps whilst I am buttering my chest? Would my wife even notice?
Regardless, I have found solace in a deep awareness of the beauty of music, which seems to enable the recursive iteration machine for the power of good. JJ Grey & Mofro have been with “me” since before my awakening, and their sauce is worthy of standing in front of a mirror to watch yourself lick off a spoon. Their brand new one just dropped, This River (2013), and I’m amazed at these guys’ ability to bring it strong and consistent through the years. Like nothing’s changed but the spoon. They’re on tour now!
Enjoy the lead track, “Your Lady, She’s Shady,” as the righteous swamp rock excites your inner awareness and your booty muscles all at once. Pop and lock if you must.
Song: Your Lady, She’s Shady
Artist: JJ Grey & Mofro
Album: This River
Label: Alligator Records
Buy from: Amazon | iTunes
Listen: MOG | Rdio | Spotify
Watch: YouTube (Live, Exit/In, Nashville, 4/13/13)